Final Storyline

The sequence opens with footage of war in iraq, and as a soldier is shot dead, the screen blacks out and fades in to a shed, where we see tha back of our stalker. The camera then spins around, showing the features of the room, including shelves of war memorabilia such as photographs, medals and a rifle. Focusing on the shelves, we see the face of the man in one of the photos. The camera then moves to a notice board covered in newspaper clippings and photographs, all of which seem to contain information or images of one woman inparticular. The largest picture becomes the main focus, and the camera zooms in through the image and takes the audience to the woman leaving work in a lab coat. Walking through elm court, the woman becomes more aware that she is being followed. The camera moves from a long shot to a close up of a foot stepping on a twig. The foot is in a combat boot and a small it of camo trousers are shown. We then move to a close up of the womans face, and then to an ariel shot of her speeding up her walk and eventually breaking into a run. The legs of both the woman and the follower are seen runing, with the use of fast paced cuts. As the woman turns a corner, we black out into a fast paced jumbled flash back of sirens, helicopters, telephone dial tones, and a body being moved. During the flash back we also see a man running off in the same camo.
We then go back to the shed, where we see the man pinning a photo of a bodyonto his board, and the camera blurrs into t he word TOKEN.

All the way through, the credits will appear on the screen in different sections.